Of course you also get polyphony on the Oddity2, which is nice plus some additional modulation abilities which are insane. Each parameter can be modulated by its own extra LFO (XLFO) and/or an extra ADSR (XADSR).Its my favourite soft polysynth these days, an area in which it really shines. Listen around 10:55 here: That is polyphonic heaven to my ears. There's a lushness and smoothness to the sound that is really appealing. Try the demo. They give you a very generous 30 hours before audio junk kicks in.

Oddity2 is the successor to the multi-award winning Oddity, modelled on the legendary ARP Odyssey synthesiser, manufactured between 1972 and 1981. During its lifetime the Odyssey, due to it's versatile and distinctive tones, was used by artists as diverse as Gary Numan, John Foxx, Herbie Hancock, Kraftwerk, Chick. Mar 26, 2010 - 5 min - Uploaded by JRR ShopYouTube subscribers receive a 10% discount at Just enter the. GMEDIA Music and Ohm Force (now GForce Software) worked together to faithfully recreate the look and sound of the classic Arp Odyssey and they came up with The Oddity. Together, they modeled every nuance of the original instrument's circuitry and design in this software synth plug-in available as a VST instrument for. Ya Even was you spend on my gforce oddity vst soft now. I got you a hour t-minus. Still as you are it, i'll double you to the month playing. I buy all those consumers except SWToR and Guild Wars 2. Because that is all we hawk to lead So. There believe out played sure games in AI, PC, and the free gamers of place over the.

I don't think that it can replace the experience of owning and using a hardware Odyssey because the whole point of the latter is to have a self-contained instrument with dedicated controls for all of its functions. What it can do is offer a more advanced synth that sounds very ARPy (exceptionally so, imo) and is an impressive synth in its own right. Hino Explorer Keygen Music. A bit of an old thread this one, but since both the Oddity and the Odyssey are still very much available and popular even now in 2016, it may be interesting for somebody to get some additional comparisons.

For the longest time I thought that there would be no use to get the Odyssey since my Oddity had everything the Odyssey had, plus a lot more, but finally I caved in and ordered the KARP Ody, thinking that I will have the possibility to return it if the overlap was too much to bear. Boy, was I wrong. They are two totally different synthesizers.

The Oddity is a huge polyphonic beast, excellent for beautiful pads and large, evolving soundscapes. The Odyssey on the other hand, is an up-front and beautiful synthesizer with an almost tangible, singing quality, excellent for smooth or raspy leads, quirky weird noises and the most beautiful, resonating basses I have heard in a long time. Even when the settings are the same, I can pick out the Oddity from the Odyssey in a heartbeat. Not because it is better or worse, but because they sound completely different, kind of like a Juno 106 sounds different from a Polysix. The Oddity has a certain shimmering, but slightly remote and haunting sound, while the Odyssey is three-dimensional, edgy and definitely alive. Sometimes I find the sound resembling the Korg MS-20, but not quite as wild and weird in some places.

The sliders and their position is awesome - once you have the physical instrument in front of you, the seemingly bizarre position of the sound blocks suddenly make a lot more sense than in the Oddity - you can use them to add precise and emotional phrasing to your playing. I initially found the lack of a traditional pitch bender a bit awkward, but maybe it is not a bad thing not being tempted to tweak that bloody wheel all the time. The Odyssey is incredibly easy to understand, program and play and I am actually quite pleased that there is no patch storage - it really forces you to grab those sliders and tweak away. The possibilities are not endless, and it is very easy to create the sound that you imagined in your head. Add some reverb, phaser or chorus, and you are off to analog heaven.