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So you're listening to a nice, pleasant song about and. Then the final note of the song falls and, instead of a nice soft resolution, it's a heavily played note in a minor. Then the music fades into a series of dissonant arpeggios with a creepy mechanical voice muttering some nonsensical gibberish that sounds like Satan reciting an story. Udit Narayan Hit Songs List Download on this page. It's surely not the ending you expected this particular song to have — and if you happen to be really unlucky, it'll like some self-regenerating.

Musicians most likely put these kinds of stingers at the ends of their songs to make them memorable. Last Note Nightmare can be very comparable to a, especially of the variety. The opposite of a Last Note Nightmare is. (Music geeks might be interested to that there is an, the 'Picardy third,' or 'Tierce de Picardie' in which when a song that has been in minor the whole time goes into major on the very last chord.) Compare and. 'WHAT DO YOU MEAN, IT'S NOT IN THE COMPUTER?!?!' • The end of 'Hollywood' consists of a heavily synthesised, androgynous voice saying Push the button!/Don't push the button!

Which gradually slows down as the background music fades and becomes a contorted, almost demonic mess. • Here's an inversion of the trope: 's 'Another Part of Me' from begins with an note, but becomes a normal MJ song after that. • The singles 'Dirty Diana' and the much more well-known 'Smooth Criminal', both from begin with similar noises. The video for the former ends with the same noise, which acts as a very effective soundtrack to the video's. • 'Stranger In Moscow' from, a slow, moody ballad, ends with a man whispering menacingly in Russian over the end. Chills right up the spine.