Built to Spill made the 500 or so miles between Boise and Seattle seem like nothing. Though the genre term is something of a catch-all these days, Martsch's signature (though certainly J Mascis-indebted) guitar tone on There's Nothing Wrong With Love quickly became an ideal, and it remains one. If you’ve ever wondered how a photographer managed to capture the exact moment of an incredible end zone reception or the instant a bird takes flight, the answer.

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